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March 03 2012

Short Notice

Today and tomorrow you can find me and my drawings at the Kunstmarkt on the Museumsinsel in Berlin.

February 24 2012

Pictures from the Opening

Outside Looking In Plants in Glasses and my father's almost white dreadlocks. Plants in Glasses Apparently I was having a good time. Plants in Glasses – Ink Drawings Dead Tulips Another Dead Tulip Some people looking at sketchbooks. People on public transport and people in the smoker's area. People on Public Transport Views of Berlin-Friedrichshain Drawing of Ostkreuz

(All photos by Deborah Wargon, except no 2, 8 and 9 by Simon Kowalewski.)

And Rolf was sketching!

P.S. The exhibition goes on until 2 April.

February 14 2012

Exhibition Preview 2: Pondering Arrangements

First batch of plant drawings on the wall Context and the ladder I'm using. Second batch of plant drawings on the wall (that copper frame has a much more pleasing color in reality) Work in progress for the exhibition—you can spot it in the first batch of hung drawings

So after a night of no sleep most of the drawings are framed now, and some already hanging. I’m wondering how to hang the rest – all the same size aluminum frames (ca. 25 x 21 cm), but how to arrange? I want to group them according to miniseries – here you can see all the drawings of tradescantia purpurea in color, and some dead tulips in color. Another group is going to be ink drawings, another one simple pencil drawings, a small group (3 x) silver points. The views of Berlin and public transport drawings, including this one, will hang in the back room (smoking area), the main room being completely dedicated to plant drawings.

First I though I may even have too many drawings—now I have a healthy respect for the size of the rooms… Which brings me back to my question. The way I see it I have two main tendencies I can follow: either I try to spread everything out evenly, so no bit of wall looks empty, but with the risk of visual boredom (I’m not much of a fan of very regular arrangements), or I nest them together, risking the ‘obviously blank wall’.

Of course both these tendencies can be done in a regular or a irregular manner: when the drawings are evenly spaced they don’t have to line up, and when they are clustered together they can be arranged in a grid, maybe forming a bigger ‘meta image’ rectangle.

Ah, I wish I could spend a couple of days just rearranging and testing stuff, and not having to hammer the nails in the wall myself;-)

Oh, and don’t worry about my lack of sleep. I’m probably going to go to bed soon, and sleep A LOT before I get up again tomorrow. Framing 30 + drawings and preparing the bigger ones was just too boring to do while fully awake. Perfect for that strange in between of late night and early morning, though. Now that some are already hanging I’m much more relaxed, too.

P.S. Missed the exhibition details? All the info is here.

Some framed public transport drawings

February 02 2012

How to buy a Drawing

Well, from me that is.

From time to time people contact me to ask how they can buy a drawing, or people that buy one tell me that it took them a while to figure out how to do it. Now, I don’t want to plaster ‘Buy me!’ messages all over my blog, but clearly if it is not obvious how to do so even to people who already made up their mind that they want to own one of my drawings, something is missing. So here comes the comprehensive guide to buying my stuff:

Most of the drawings you see here are for sale. Yes, even the sketchbooks (but they are pricey). If you see something you like you can simply contact me to find out if it is still available, and I am going to answer you with all the details. To get an idea: individual drawings cost between 100€ and 300€ (depending on size, with ~Din A 4 at 150€ and ~Din A 3 at 300€), and sketchbooks start at 900€ (depending on the size and number of pages and the kinds of sketches inside). I take great care to protect my drawings on their way, and in many cases I might be able to send them already matted. Shipping depends on size and destination, but it is free for smaller sized works inside the EU. Payment methods are Paypal or direct bank transfer (Überweisung).

Another, less personal option is to browse my Etsy store. There you will find drawings that I have already prepared for sale, most of them matted, and complete with full information on size, media, and shipping costs. On Etsy you pay via Paypal or credit card. (Here is a guide to the payment process.) (Here a similar guide written in German by a patron after finding out for himself.)

I also take commissions, can send you a drawing already matted and framed, and am willing to accept payment in several rates. However, such things depend on the specific situation, and I cannot give ‘rules of thumb’ for them yet. If you consider taking me up on one of them, please contact me directly. The same goes for studio visits.

Oh, and if you happen to be in or come through Berlin, starting from the 15 February you can of course also come to my exhibition and have a look at my drawings in person.

Example of a Commission

Just this week I finished a commission for a friend of mine who wanted a slightly larger version of one of my travel sketches—here some of the stages that led to the finished drawings (photo only, because it is too big for my scanner…)

Original travel sketch: A piece of turf by a river in Wales. First layers of ink and watercolor. Detail of the first layer of watercolor. Second layer of ink. Finished, after additional layers of gouache and pencil. Detail of the final state. My workspace while doing all this. Out of the picture to the right is my iMac showing reference pictures I took on site.

January 22 2012

Exhibition News and TV Appearance

Hi, I have an upcoming exhibition that I need to tell you about: Drawings and watercolors at Kaufbar Berlin, the opening is 15 February, the exhibition itself continues until 2 April. I’m so excited! On view will be plant pictures, but also two large Berlin views and people on public transport. More details in the coming weeks.
Invitation to Exhibition and Vernissage of my drawings at Kaufbar, Gärtnerstraße 4, 10245 Berlin, 16. February – 2. April, Vernissage at the 15. February.

On another note, today there’s a feature on Urban Sketchers Berlin on Berlin TV station RBB (7pm), among the sketchers yours truly. You can find details about the show here, and will be able to watch it for a while after on the website here.

November 11 2011

Some finished Watercolors

These are all from earlier this year – I was in such a frenzy of final exams, the Open Air Gallery and last minute travel preparations (is there another kind?) that although I did find the time to make these drawings, I never got around to photographing (they are matted and mostly too big for my scanner) and blogging them. Until now:

Dead Tulip I

Dead Tulip II

Painted Nettle

Oberbaumbrücke detail

Holteistrasse Ecke Boxhagener

Gärtnerstrasse

Westhafen

Most of them are quite a bit brighter than they look here (they are on white, not grey paper)—there doesn’t seem to be a time of day in November in when my apartment is bright enough for photographing artwork, and artificial light and photoshop games never seem to turn out right. The drawings vary in size – the flower drawings are almost miniatures, with the window of the mat measuring just 6 x 16 cm, while the windows for ‘Oberbaumbrücke’ and ‘Westhafen’ measure 30 x 40 cm. All of them are now up in my etsy store (70–200 € per drawing):
http://www.etsy.com/shop/OonaL.

July 02 2011

Two Works in Progress for the Open Air Gallery

One of these is finished by now, as are most of the drawings for tomorrow, but one of them belongs to the last three I’m still working on today. If you know Berlin, you might already recognize the places they are depicting… I really like how they’ve turned out so far. If you’d like to see them finished and ‘in real life’, come visit me at the Open Air Gallery tomorrow! On the Oberbaumbrücke, 10:00–22:00, my booth is no 90.

June 14 2011

A Postcard from Far Away

If you enjoy my drawings, and/or would like to participate in my travels a tiny little bit, I’m offering you a deal:

For 33,33 € I’ll send you a beautiful postcard, hand drawn and colored on location, from one of the places I’ll travel through on my big drawing journey. It might be the decaying old town of Lisbon, the mountains of the Caucasus, one of the many historical buildings of Istanbul or anything I pass by in between. If you don’t like it, or it hasn’t reached you by 1 December, you get your money back. The postcard will be cut from archival-quality watercolor paper, drawn with ink or pencil and highly light-fast artists’ watercolor paints. It will be signed, titled and dated on the back. I will send it in an envelope together with a letter containing some information about the place that is depicted and the day it was drawn.

To give you an idea what you might receive, here are some sketches from not that far away that I did on trips to London in 2009 and 2010. See also my recent watercolor sketches from Berlin.

I cannot guarantee that it will arrive completely unharmed through the mail, and ask you to accept possible signs of wear as integral aspects of its traveling nature. You can of course also send this as a surprise gift to somebody else, just give me a note and the address of the person you want me to send it to. If you’d prefer drawings of people or plants to drawings of places, or wish for your postcard to come from a specific place on my itinerary, I can account for that, too. If you want more than one, I will take care to spread them out so you don’t get them all at once and from the same place, except if you want it that way.


The link above takes you to a Paypal page for my postcards, where you can either pay per Paypal or with a credit card. If you don’t like either method, contact me and we can work something out: oona@playinprogress.net.

Edit: I just saw that the link is not included in the feed version of this posting, so for those of you reading this in your feed reader and wanting one, you either have to visit my blog or head over to my brand spanking new Etsy store.

January 26 2011

Hi there, Moo readers

If you have seen my moo minicards on their blog and liked the colorful drawings on them, you will find them here, on my second blog. If you’re interested in how I came to draw the clothes I see people wearing everyday, you can find the backstory in this posting: Street Style Sketching.

January 19 2011

Street Style Sketching

Or: A rather long story with lots of pretty and colorful pictures, as well as plans of world domination

Last year I found myself increasingly intrigued, sometimes even obsessed, with clothes. Now, if I had had any money to spare (and not spent it on books and art supplies) this would probably have led to a clothes shopping binge. Things being as they are, I mostly just thought about clothes, kept my eyes open, and started (but haven’t really finished so far) some sewing projects. I started noticing well-dressed people whose styles made me sigh with pleasure on a daily basis. This obsession and excitement needed some place to go. Hence the idea was born to draw them, the well or just interestingly dressed people I see everyday. I started in November, with a new blog, Street Style Sketching.
I wanted to keep it hidden from friends and my usual audience for a while, because I wasn’t sure I was going to be able to keep up with it, posting at least five times a week, and separate, because I wanted it to be for this kind of drawing only, to help me focus. Because these drawings are different from my usual sketchbook work; they require a different procedure, and new skills. I cannot finish them on the spot like a line drawing, because they need color, and more time consuming, sometimes they need patterns, ornaments.
boots with blue stripes 1
This is why my sketchbooks has become littered with color notes: I need them to produce the more finished drawings at home. The rendering of the different structures of fabric and leather is a completely new problem to me. But the hardest part are those people who pass me by too quickly to be sketched at all, or that I spot when I don’t have my drawing tools in hand. Then, I’m trying in a slightly panicky way to keep as many details about expression, pose, garment and color in my mind as possible, taking notes as soon as I can. When I’m at home, I try to recreate them from memory, to put in everything I remember, and produce a believable person and interesting picture at the same time (as in the drawing above). Phew! I expect that it will take me at least this year to become as comfortable drawing people from memory and imagination as I am drawing people from life (and probably more to do it as quickly), but this is very, very exciting. I can feel my mind trying to grasp all the new possibilities for drawings this will provide me, the freedom that is to be discovered. And, now, two months after I started, and was for the most part able to keep up with my almost daily posting, I have this little illustration blog that keeps pushing me forward, and the chic people of this city that keep rushing me by and inspiring me to try again, even if it seems impossible sometimes. There are quite a number of drawings I had to give up on, too ambitious was the pose, to meager my skill to render it. But damn, I want to draw all those people, and all those looks!

orange hair black coat red bag
Above is the first of those style sketches I posted this year. This is an overview of what I did in December:
archive december 2010
When I realized that I would actually be able to pull this off I got all proud and made myself some spanking new moo mini cards. My drawings look so good in cute and small and printed! If I could I would just go on printing them on stuff all the time.
Moo Minicards

And I’ve started handing them out, too:

Red wool coat, yellow corduroy skirt, red nails.

When people are moving too fast, if you’re brave you can also ask them if they would mind sitting for you for a bit, which helps to avoid the pesky drawing-people-without-a-model problem. I saw her at the fleamarket with a friend, but she was moving to much and too far away to sketch. I took heart and approached her, told her I would like to draw her if she had time, and gave her one of my cards. And she actually called about an hour later, ready to be drawn! When I opened the door for them I realized that this whole drawing strangers in my own apartment thing would come much easier to me if said apartment was a bit more tidy… We sat in my kitchen, which is quite small, so I was sitting a bit close for drawing, hence the slightly wonky perspective on the legs and feet. So this isn’t only about drawing strangers anymore. Suddenly I’m actually talking to people about drawing, exposing myself as I usually don’t: if they agree to be drawn by me, that also means they get to see and judge the drawing. This is frightening and exciting at the same time.

Black legs.

What this has to do with world domination? Well, as a side effect, tstyle sketching teaches me a lot about illustration in general, aspects of picture-making that I didn’t have to take into account before. Over these two month there is already a development in style and skill visible, I think. Ultimately I hope this will prove fruitful in helping me make a living from drawing, which is pretty much my version of world domination. Other parts of this sinister plan are to get my papers in order so I can start selling my stuff online (and hopefully have lots of drawings printed on everything, maybe even a book, for example of these style sketches…), and go on a big drawing journey that will comprise most of the latter half of this year (get away from this continent for the first time in 12 years and draw all the time!). Did I mention that all of this is terribly exciting? And scary too.

December 23 2010

Horror als Alltag: An Illustration of mine in print!

There is a new book about Buffy the Vampire Slayer (in German) which uses one of my drawings of the Chosen One as an illustration: Horror als Alltag. I just received my artist’s copies, and they look great! Can’t wait to read the book.
Horror als AlltagHorror als Alltag
Horror als Alltag Impressum
It looks really good sitting on that page all in (very!) black and white. They even made my little drawing an extra item in the table of contents:
Horror als Alltag TOC
So exciting! This could happen more often;-)
This one and more of my Buffy drawings can be found on deviant art.

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