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March 07 2012

January 14 2011

November 30 2010

The Challenges of Party Sketching

Sketching at a party is even harder than sketching a wedding, the better the party the harder it gets: people who are not bored just move too much! Also, parties tend to be dark, so even if I see enough worth sketching, I can barely see my lines. All in all that means that most of what I get down on paper are gestures void of any particular features like faces or details of dress, or anything else that would make it possible to identify whoever it was that I was trying to draw. A typical page of party sketching thus looks like this:
party_0002
But as an introvert who sucks at this whole ‘talking to people’ thing one night gives me a lot of time to try, so I did get some faces in there eventually.
party_0006 detail
party_0001 detail
party_0005 detail

Now, that was a private party. Things get even rougher at clubs, which tend to be professionally unlit, aka very dark. I anticipated this and took my boldest blackest pen, but still, for a lot of these lines I can barely remember what they were supposed to depict, much less actually recognize it.
IMG_0059
The next day at home I tried to clarify them a bit with hatching to show which lines belong together to form a figure etc, as far as I could reconstruct it.
IMG_0061
IMG_0062
Also important: cigarette smoke.
IMG_0060
Some details:
IMG_0061 detail

Now with an iPhone these light problems would be much easier to conquer, but for now I’m on the lookout for one of those ballpoint pen cum LED thingies. It is nice to draw in company, as well as to have something to do with myself at social gatherings. I can be there without having to wonder what the hell I am doing. I’m drawing. And this way, sometimes I can even catch my friends almost falling asleep at five in the morning…
IMG_0063 detail

November 11 2010

Last Days’ Commuter Sketches, Playing around with Pens

IMG_0043
IMG_0042
IMG_0041

I’m currently using a Din A5 Zequenz note/sketchbook, with very smooth bright paper. Pencil makes only faint lines on this, so I’ve decided to make this a drawing supply test kinda book, and as a result I’m carrying around a ridiculous number of pens, markers, brushpens etc., all because I can’t possibly decide in advance which exact drawing tool I will feel like using at any point today. What I did not anticipate is that using tools differing in line quality and darkness makes it possible to put many more lines on a page without them crowding each other, layers of drawings that are still much more individually recognizable than they would be if all drawn with the same pen. The nicest result thus far is this spread:

IMG_0040

In a bit more detail (or you can just click on the one above and let it take you directly to a much larger version):
IMG_0040 detail

A lesson in Gestalt perception.

October 28 2010

Last Days’ Commuter Sketches

Page 16
Page 17
Page 27
Page 29

Details from some pages:
Page 17 detail
Page 14 detail
Page 15 detailPage 20 detail

So that interview lead to a job, which leads to less time for drawing but more time on public transport, more quick sketches and less watercolors. But I’ve got grand plans, maybe even schemes, and they have to do with the color that has been creeping into my commuter sketches… More to come in the next couple of weeks.

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